Zoom LIVETRAK-L12 LiveTrak L-12 Multi-Track Recording Mixer

With the LiveTrak L‑12, you can finally mix, record, and monitor with a single piece of gear. It’s the only digital console that lets you mix your live performance and record up to 12 discrete channels – all while providing five individual custom headphone mixes.

EFFORTLESS LIVE MIXING
LiveTrak’s 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor.

With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing.

RECORD EVERYTHING, REMIX ANYWHERE
LiveTrak lets you record 12 discrete tracks up to 24-bit/96 kHz WAV audio to an SD cardwhile simultaneously mixing your live show. Tracks are recorded pre-EQ and effects, so they can be transferred to your favorite DAW
for further mixing and editing. [*Effects, EQ, overdub, audio interface, fader modes A-E, and channels 13-14 (stereo mix) are not available in 96 kHz.]

FIVE CUSTOM MONITORING MIXES
Each of LiveTrak’s five monitor outputs provides a unique mix, so every performer can create and save a mix that’s tailored to their preferences. Its headphone amplifier delivers volume that stands up in any live environment without the need for a separate headphone monitoring setup.

USB CONNECTIVITY FOR YOUR DAW
LiveTrak is also a 14-in/4-out USB audio interface with flexible routing options, offering unlimited possibilities. Class compliant mode, which enables connection with iOS devices, is also supported.[*Apple Lightning to USB Camera Adapter required.]

WHAT’S UNDER THE HOOD?

• Our Best Mic Preamps Yet - At -128 dBu EIN with +60 dB maximum input gain, LiveTrak is equipped with the quietest and most advanced preamps we’ve ever made. Just wait until you hear how incredible it sounds.
  
• High-Definition Sample Rates - The L-12 supports sample rates up to 96 kHz when recording to an SD card, allowing you to record in high definition. In Audio Interface mode, the L-12 can record up to 48 kHz to a computer and an SD card simultaneously.
• Convenient Auto Recording - Record automatically by adjusting the L-12’s customizable audio input commands. Set it to start when the master fader detects a certain dB level, or use a guitar chord or snare hit to start the track. You can capture data up to two seconds before recording starts, in case a performance begins ahead of time.
• Versatile Operation Modes - The L-12 is equipped with several operation modes. Audio Interface mode lets you route inputs and outputs to any DAW.
• With USB Host mode, transfer projects and audio files to a connected USB flash drive. In Card Reader mode, the L-12 acts as an SD card reader, allowing you to transfer audio files to and from your computer.
  

ACCESSORIES
Here's what comes included with the L-12:

• AC adapter (AD-19)
• USB 2.0 cable
• Quick Guide

• 12 discrete channels (8 mono plus 2 stereo) with XLR or 1/4-inch connectivity
• 14-track simultaneous recording, 12-track playback
• 14-in/4-out USB audio interface connectivity
• 5 powered headphone outputs, each with a customizable and saveable mix
• Add backing/click tracks from your computer to your live mix and recording
• RCA and TRS line inputs
• 48V phantom power (channels 1-4 and 5-8)
• Hi-Z connectivity (channels 1 and 2)
• 26 dB pad (channels 3-8)
• Built-in compression control (Channels 1-8)
• Digital level meters -48 dB to -0 dB
• Master mute button
• Low-cut control
• Stereo panning
• Master and Monitor Outputs A-E
• Scene saving function, up to 9 scenes saved at a time
• 16 built-in delay and reverb effects with adjustable parameters
• Built-in slate mic
• Class-compliant mode (for iOS compatibility)
• SD card input
• Built-in metronome
• Automatic recording starting/stopping capability
• Project protection
• Import/export projects with USB 2.0 host port
• Latency adjustment for A-to-D conversion
• Compatible functions for ZOOM FS01 footswitch

• NUMBER OF INPUT AND OUTPUT CHANNELS
• INPUTS: Mono (MIC/LINE): 8 Stereo (LINE): 2
• OUTPUTS: MASTER OUT: 1 MONITOR OUT: 5
• INPUTS
• MONO (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT))
• Input gain : PAD OFF: +16 – +60 dB PAD ON: −10 – +34 dB Hi-Z ON: +6 – +50 dB
• Input impedance : XLR: 3 kΩ TRS: 10 kΩ/1 MΩ (when Hi-Z ON
• Maximum input level : PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS)
• Phantom power : +48 V
• STEREO (LINE) Type TRS phone/RCA pin (unbalanced) jacks
• Maximum input level +16 dBu
• Outputs
• MASTER OUT Type XLR jacks (balanced)
• Maximum output level +14.5 dBu
• Output impedance 100 Ω
• MONITOR OUT - A (TRS) Type TRS phone jacks (balanced)
• Maximum output level +14.5 dBu
• Output impedance 100 Ω
• MONITOR OUT A–E (PHONES) Type Standard stereo phone jacks
• Maximum output level 42 mW + 42 mW at 60 Ω
• Output impedance 100 Ω
• POWER SUPPLY AD-19 AC adapter (DC12V/2A)
• EXTERNAL DIMENSIONS 445 mm (W)×282 mm (D)×70.5 mm (H)
• WEIGHT (MAIN UNIT ONLY) 2.53 kg