- Inspection and Set-up
- Humidity Care
*Photos shown are of the actual instrument. Serial Number 1203012082.
Among the first of our revoiced Grand Symphony guitars, this all-koa guitar is a stunner from head to toe. Built with back, sides, and top of solid Hawaiian koa, the K26ce blends the warmth and bell-like treble range of that gorgeous tonewood with a new musical character provided by the updated Grand Symphony body. Delivering a high-fidelity, orchestral sound, this model provides plenty of headroom for hard hitters while maintaining clarity and balance up and down the neck.
- Case: Deluxe Hardshell
A new soundport cutaway brings more of our trademark innovation to the table, leaving the guitar’s back intact while offering access to the higher frets. The second soundhole helps the K26ce produce a textured, immersive sound that performs beautifully in solo settings or as a centerpiece in a larger ensemble. It’s a natural fit with V-Class bracing, which adds dimension, power, and sustain while eliminating the dissonance caused by imperfect intonation.
This model is designed to showcase the natural aesthetic splendor of Hawaiian koa, sporting a glossy dark shaded edgeburst finish that illuminates koa’s rich grain. Detailed with maple binding and rosette, Spring Vine fretboard and peghead inlays in maple, and Gotoh 510 tuners, with a 21:1 gear ratio that makes ultra-precise tuning a breeze. It ships with ES2 electronics in a deluxe brown hardshell case.
- Shapes: Grand Symphony. This strong Taylor strummer produces a rich, bold voice.
- Body Wood: Hawaiian Koa. Few woods carry the allure of Hawaiian koa, with its gorgeous figure and sweet, complex tone.
- Top Wood: Hawaiian Koa. Few woods carry the allure of Hawaiian koa, with its gorgeous figure and sweet, complex tone.
- Electronics: Expression System 2. The Expression System® 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design.
- Bracing: V-Class Bracing. A revolutionary design that balances the flexibility and stability of the top, V-Class bracing produces unmatched sustain, volume, and intonation.
- Scale Length 24-7/8"
- Nut & Saddle Tusq
- Bracing V-Class
- Truss Rod Cover West African Crelicam Ebony
- Number of Frets 20
- Tuners Gotoh
- Case Deluxe Hardshell
- Brand of Strings Elixir Phosphor Bronze Light
- Body Length 20"
- Body Width 16 1/4"
- Body Depth 4 5/8"
- Binding/Edge Treatment Pale Non-Figured Maple
- Top Finish Gloss
- Back Config 2-piece No Wedge
- Back/Side Finish Gloss
- Neck Width 1-3/4"
- Fretboard Inlay None
- Fretboard Binding/Edge Treatment West African Crelicam Ebony
- Heel Cap Binding West African Crelicam Ebony
- Type of Neck Joint Scarf
- Neck/Heel Tropical Mahogany
- Fretboard Wood Ebony
- Neck Finish Satin
- Heel Length 3-1/2"
- Peghead Binding West African Crelicam Ebony
- Peghead Type Standard
- Peghead Purfling Maple
- Headstock Overlay Ebony
- Peghead Logo Taylor Mother of Pearl
- Bridge Pins West African Crelicam Ebony
At Easy Music Center, we care for our instruments from the moment they arrive to when they ship to your door. All instruments are stored in a climate controlled environment and put through a 12-point inspection checklist before being shipped.
First, we check the finish of the instrument, carefully inspecting any blemishes on the surface. Next, we check the playability and setup by inspecting and adjusting the truss rod (if available), bridge, nut, and frets to manufacturer factory specifications. Any request made outside of manufacturer factory specifications can incur additional charges for parts and labor. If the instrument has electronics, we test all of the electronic components to make sure they are functioning properly.
After a thorough inspection, we then move on to maintenance. We start by lubricating any moving parts on the instrument, such as tuning machines. We then move on to cleaning and oiling the fretboard along with the frets.
Once maintenance is done, we stretch and tune the strings and play test the instrument. After this, we do a final inspection and clean/detail the instrument before packing it up for shipment.
We’re excited to be a part of your instrument buying experience.
Acoustic guitars and ukulele are made of wood, and wood is sensitive to changes in climate. Shifts in temperature or relative humidity can affect your instrument in multiple ways, some of which can lead to costly repairs if you’re not careful. Solid woods in particular are especially prone to the effects of climate fluctuation. For example, extended exposure to low relative humidity (below 40% RH) can dry out the wood, causing it to shrink and run the risk of cracking. Similarly, excessive humidity can cause the wood to absorb moisture and swell, potentially causing other problems. Without adequate humidity control (especially in drier local climates), acoustic instruments can crack and their necks can warp, causing problems with fretting, intonation and playability.
So how do you prevent this kind of damage? Easy: by keeping your guitars and ukulele properly humidified (ideally between 40-60% RH). The easiest way to do this is by storing your instruments in a case with a case two-way humidifier inside. A two-way humidifier will slowly absorb or release moisture inside your case, maintaining humidity to help ensure your instrument doesn’t suffer damage. Using a digital hygrometer can help you monitor humidity levels around your instrument.
Symptoms of a dry acoustic instrument:
- Low action. Strings are very close to the fretboard.
- Hump on the fretboard where the neck joins the body.
- Sunken top across the soundboard between bridge and fingerboard.
- The back of instrument looks very flat when it is dried out.
- Sharp fret ends extend beyond the edge of the fretboard.
- The plane of the neck angle on a dry instrument hits above the top of the bridge.
Symptoms of a wet acoustic instrument:
- High action. Strings that are unusually high off the fretboard, making it difficult to play.
- Unusually swollen top
- Unusual warp on the top, back or both at the end-block
- Improper neck angle. Sighting the neck to the bridge, the frets will appear to hit below the bridge.
Using patented technology, the D’Addario Two-Way Humidification System features disposable, moisture-filled packets with a breathable membrane that provides two-way humidity control, meaning it can either release or absorb moisture to consistently maintain a predetermined relative humidity (RH) level of 45-50 percent.
Music Nomad the leader in equipment care products, has developed an easy to use, no mess, and low maintenance Ukulele humidifier. The Humilele rests securely on top of the strings to safely and evenly hydrate your Ukulele to avoid these problems.
Final Notes on Humidity Control
To monitor the amount of humidity your instrument is receiving, we recommend the purchase of a digital hygrometer, a device that gauges and provides a read-out of humidity levels. It can be kept in the room where you store your instruments, or, better yet, in a central location inside the instrument case, preferably Velcro’d to the outside of the accessories compartment (facing the heel). The optimal range for your guitars and ukulele is 45-55% RH.