- Inspection and Set-up
- Humidity Care
*Photos shown are of the actual instrument. Serial Number #1105219076.
Part of Taylor's inaugural class of Grand Pacific guitars, the Builder's Edition 717e builds on a long tradition of rosewood/spruce dreadnoughts but breaks new ground with an entirely new Taylor sound. The round-shoulder dreadnought shape, featuring Taylor's award-winning V-Class bracing, produces warm, seasoned acoustic tone in which individual notes overlap and blend smoothly together, while the low-end power common among dreadnoughts boasts greater clarity here.
V-Class brings extra punch and sustain, along with improved intonation and musicality across the entire frequency spectrum. Together with rosewood's harmonic complexity and the played-in sound of the torrefied spruce top, players can expect rich, luxurious tonal character from top to bottom. It's a voice comfortably rooted in a traditional sound, yet updated to offer a more expressive musical range.
As a Builder's Edition model, the 717e also sports an array of premium, player-friendly features: chamfered body edges, rolled fretboard edges, and a new compound-carve neck profile, whose contours match the natural adjustments in the player's hand position when moving up and down the fretboard. Even the bridge design was refined to add a more ergonomic feel for the player's picking hand. Taylor's noise-reducing Silent Satin finish displays the muted sheen of an older guitar, while elegantly understated appointments include mother-of-pearl Arrowhead fretboard and peghead inlays, with Sapele binding. This edition also features our stage-ready ES2 electronics.
- Scale Length - 25-1/2"
- Nut & Saddle - Black Graphite, Micarta saddle
- Bracing - V-Class
- Truss Rod Cover - West African Crelicam Ebony
- Pickguard - None
- Number of Frets - 20
- Tuners - Taylor Nickel
- Case - Taylor Deluxe Hardshell-Western Floral
- Brand of Strings - Elixir Phosphor Bronze Medium
- Body Length - 20"
- Body Width - 16"
- Body Depth - 4 5/8"
- Top - Sitka Spruce Top
- Back and Sides - Indian Rosewood
- Binding/Edge Treatment - Sapele
- Top Finish - Silent Satin
- Back Config - 2-piece No Wedge
- Backstrap Finish - None
- Rosette Size - Single Ring
- Bridge Inlay - None
- Back/Side Finish - Silent Satin
- Armrest Binding - None
- Backstrap Wood - None
- Rosette Mat. - Black Sapele/Maple
- Stain/Sunburst - None
- Wedge - None
- Armrest - No
- Neck Width - 1-3/4"
- Fretboard Inlay - Arrowheads, Mother of Pearl
- Fretboard Binding/Edge Treatment - West African Crelicam Ebony
- Heel Cap Binding - West African Crelicam Ebony
- Type of Neck Joint - Scarf
- Neck/Heel - Tropical Mahogany
- Fretboard Wood - West African Crelicam Ebony
- Neck Finish - Satin
- Heel Length - 3-1/2"
- Peghead Finish - Satin
- Peghead Binding - None
- Peghead Type - Standard
- Peghead Purfling - None
- Headstock Overlay - West African Crelicam Ebony
- Peghead Inlay - Arrowheads, Mother of Pearl
- Peghead Logo - Taylor Mother of Pearl
- Bridge Pins - West African Crelicam Ebony
- Buttons - Nickel
- Fingerboard Ext - None
- Edge Trim - None
*Models are subject to change without notice
At Easy Music Center, we care for our instruments from the moment they arrive to when they ship to your door. All instruments are stored in a climate controlled environment and put through a 12-point inspection checklist before being shipped.
First, we check the finish of the instrument, carefully inspecting any blemishes on the surface. Next, we check the playability and setup by inspecting and adjusting the truss rod (if available), bridge, nut, and frets to manufacturer factory specifications. Any request made outside of manufacturer factory specifications can incur additional charges for parts and labor. If the instrument has electronics, we test all of the electronic components to make sure they are functioning properly.
After a thorough inspection, we then move on to maintenance. We start by lubricating any moving parts on the instrument, such as tuning machines. We then move on to cleaning and oiling the fretboard along with the frets.
Once maintenance is done, we stretch and tune the strings and play test the instrument. After this, we do a final inspection and clean/detail the instrument before packing it up for shipment.
We’re excited to be a part of your instrument buying experience.
Acoustic guitars and ukulele are made of wood, and wood is sensitive to changes in climate. Shifts in temperature or relative humidity can affect your instrument in multiple ways, some of which can lead to costly repairs if you’re not careful. Solid woods in particular are especially prone to the effects of climate fluctuation. For example, extended exposure to low relative humidity (below 40% RH) can dry out the wood, causing it to shrink and run the risk of cracking. Similarly, excessive humidity can cause the wood to absorb moisture and swell, potentially causing other problems. Without adequate humidity control (especially in drier local climates), acoustic instruments can crack and their necks can warp, causing problems with fretting, intonation and playability.
So how do you prevent this kind of damage? Easy: by keeping your guitars and ukulele properly humidified (ideally between 40-60% RH). The easiest way to do this is by storing your instruments in a case with a case two-way humidifier inside. A two-way humidifier will slowly absorb or release moisture inside your case, maintaining humidity to help ensure your instrument doesn’t suffer damage. Using a digital hygrometer can help you monitor humidity levels around your instrument.
Symptoms of a dry acoustic instrument:
- Low action. Strings are very close to the fretboard.
- Hump on the fretboard where the neck joins the body.
- Sunken top across the soundboard between bridge and fingerboard.
- The back of instrument looks very flat when it is dried out.
- Sharp fret ends extend beyond the edge of the fretboard.
- The plane of the neck angle on a dry instrument hits above the top of the bridge.
Symptoms of a wet acoustic instrument:
- High action. Strings that are unusually high off the fretboard, making it difficult to play.
- Unusually swollen top
- Unusual warp on the top, back or both at the end-block
- Improper neck angle. Sighting the neck to the bridge, the frets will appear to hit below the bridge.
Using patented technology, the D’Addario Two-Way Humidification System features disposable, moisture-filled packets with a breathable membrane that provides two-way humidity control, meaning it can either release or absorb moisture to consistently maintain a predetermined relative humidity (RH) level of 45-50 percent.
Music Nomad the leader in equipment care products, has developed an easy to use, no mess, and low maintenance Ukulele humidifier. The Humilele rests securely on top of the strings to safely and evenly hydrate your Ukulele to avoid these problems.
Final Notes on Humidity Control
To monitor the amount of humidity your instrument is receiving, we recommend the purchase of a digital hygrometer, a device that gauges and provides a read-out of humidity levels. It can be kept in the room where you store your instruments, or, better yet, in a central location inside the instrument case, preferably Velcro’d to the outside of the accessories compartment (facing the heel). The optimal range for your guitars and ukulele is 45-55% RH.